Mylène Farmer - Je Te Rends Ton Amour (1999)

Mylène Farmer - Je Te Rends Ton Amour (1999)
FR#10, BE#18


Mylène Farmer - Je te rends ton amour by leebil
Lyrics - incl. English translation:

M'extraire du cadre
Ma vie suspendue
Je rêvais mieux
Je voyais l'âtre
Tous ces inconnus
Toi parmi eux

Extracting myself from the frame
My life, suspended
I dreamt of better.
I saw the hearth
All those unknowns,
You among them

Toile,
Fibre qui suinte
Des meurtrissures
Tu voyais l'âme
Mais j'ai vu ta main
Choisir Gauguin
Canvas,
Fibre that oozes
Bruises
You saw the soul,
But I saw your hand
Choosing Gaugin

Et je te rends ton amour
Redeviens les contours
Je te rends ton amour
C'est mon dernier recours
Je te rends ton amour
Au moins pour toujours
Redeviens les contours
" la femme nue debout "

And I return your love,
Become once more the contours,
I return your love
It's my last resort
I return your love
At least, forever
Become once more the contours
"The naked woman standing"

M'extraire du cadre
La vie étriquée
D'une écorchée
J'ai cru la fable
D'un mortel aimé
Tu m'as trompé

Extracting myself from the frame,
The skewed life
Of a butchered woman
I believed the fable,
Of a beloved mortal
[But] you betrayed me

Toi
Tu m'as laissé
Me compromettre
Je serai " l'Unique "
Pour des milliers d'yeux
Un nu de maître

You,
You allowed me
To compromise myself.
I will be the "unique"
For thousands of eyes
A master's nude

Et je te rends ton amour
Au moins pour toujours
Je te rends ton amour
Le miens est trop lourd
Et je te rends ton amour
C'est plus flagrant le jour
Ses couleurs se sont diluées
Et je reprends mon amour
Redeviens le contour
De mon seul maître : EGON SHIELE et...

And I return your love,
At least forever
I return your love
Mine is too heavy
And I return your love
It is more obvious in the day,
[that] it's colors are diluted
And I return your love,
Become once more the frame
Of my only master: egon shiele and ....

And I return your love,
At least forever
I return your love
Mine is too heavy
And I return your love
It is more obvious in the day,
[that] it's colors are diluted
And I return your love,
Become once more the frame
Of my only master: egon shiele and ....

Eurythmics

Annie Lennox (born 1954 in Aberdeen, Scotland) and Dave Stewart (born 1952 in Sunderland, Northern England), a.k.a. Eurythmics, met in a London restaurant in 1975. Annie was working there at the time and both went on to form and the play together with Peet Coombes in their group The Catch. They released one single, 1977's 'Borderline/Black Blood'. The single was released in the UK, NL, ES and POR. The Catch soon became known as The Tourists, who had some chart success in 1979-80 though disbanded soon after due to legal issues with management, publishers and their record label at the time, Logo Records.
Also having a personal relationship by then, Annie and Dave decided to go it alone and became Eurythmics (named after a style of Greek dance that Annie had did as a child), signed to RCA Records. Their breakthrough came with their second album, Sweet Dreams (Are Made of This), released early 1983. The title track featured a dark and powerful sequenced synth bass line and a dramatic video with Annie sporting an orange crew haircut, rapidly making her the new pop icon.
After strenuous years of touring and recording (Eurythmics had released eight studio albums in eight years), a rift had developed between the duo and Eurythmics disbanded, although no official notice was given. Dave began writing film soundtracks and had a big international hit in 1990 with the instrumental track 'Lily Was Here', featuring saxophonist Candy Dulfer, while in 1992, Annie released her first solo album, Diva. The album was a critical and popular success .

Eurythmics - Sweet Dreams (1983)
US#1, FR#1, CAN#1, UK#2, BE#2, IRL#2, NZ#2, DE#4, RSA#5, AUS#6, CH#8, AT#9, NL#10



Eurythmics - Who's That Girl? (1983)
FR#2, UK#3, IRL#5, BE#13, NZ#13, SWE#14, CAN#15, DE#19, AUS#20, US#21, NL#30



Eurythmics - Here Comes The Rain Again (1984)
FR#1, US#4, UK#8, IRL#8, CAN#8, NOR#10, BE#12, DE#14, AUS#16, CH#19, SWE#20, NZ#32, NL#33



Eurythmics - Sex Crime (1984)
DE#3, BE#3, SWE#3, UK#4, IRL#4, AUS#5, CH#6, FR#7, NZ#8, NOR#9, NL#12, CAN#18, IT#25, US#81



Eurythmics - Would I Lie To You? (1985)
AUS#1, CAN#2, NZ#5, SWE#10, BE#10, US#5, IRL#10, UK#17, CH#21, IT#24, NL#24, DE#34, FR#41



Eurythmics - There Must Be An Angel (1985)
UK#1, IRL#1, NOR#1, SWE#2, NL#3, AUS#3, DE#4, NZ#5, JAP#7, BE#7, RSA#6, FR#8, AT#9, US#22, CAN#23, IT#41



Eurythmics feat. Aretha Franklin - Sisters Are Doing It For Themselves (1985)
IRL#5, NZ#6, UK#9, AUS#15, NL#17, BE#17, US#18, CH#20, DE#22, CAN#33



Eurythmics - It's Alright Baby's Coming Back (1986)
IRL#8, UK#12, AT#14, NZ#18, NL#21, DE#22, CH#23, BE#25, AUS#32, CAN#37, US#78



Eurythmics - When Tomorrow Comes (1986)
SWE#4, NOR#5, AUS#7, IRL#13, IT#16, BE#18, RSA#19, NZ#19, DE#22, NL#22, UK#30



Eurythmics - Thorn In My Side (1986)
IRL#2, UK#5, SWE#6, NZ#7, AUS#12, AT#14, DE#26, BE#28, CAN#41, US#68



Eurythmics - The Miracle Of Love (1986)
IRL#10, AUS#14, BE#15, FR#16, SWE#18, CH#21, UK#23, NZ#30, NL#43, DE#53



Eurythmics - Missionary Man (1987)
AUS#9, NZ#12, IRL#13, CAN#13, US#14, BE#16, UK#31, NL#77



Eurythmics - Beethoven (1987)
FR#4, NZ#6, NOR#6, SWE#9, IT#10, IRL#11, AUS#13, CH#19, UK#25, BE#25, DE#28, NL#41



Eurythmics - I Need A Man (1988)
CAN#14, NZ#19, IRL#23, BE#23, UK#26, US#46, AUS#78



Eurythmics - Revival (1989)
SWE#7, CH#8, IRL#14, IT#14, AUS#14, BE#17, NZ#21, NL#25, UK#26, DE#33, FR#46



Eurythmics - The King & Queen of America (1990)
BE#16, IRL#23, UK#29, NL#38, DE#51, JAP#62, AUS#72

Eurythmics - I Saved The World Today (1999)
FIN#2, IT#7, UK#11, BE#12, CH#16, AT#18, IRL#23, DE#28, SWE#31, NZ#33, JAP#37, NL#44

Banned/Censored! - Enrique Iglesias - Sad Eyes (1999/2000)

Everyone seems to think Enrique Igleasias, son of Julio Iglesias, is this fluffy little vocalist, but there's more:

Back in September 2000, Enrique decided to cover Bruce Springsteen's 'Sad Eyes', which apart from scoring #8 in the US Dance Charts and #34 in the official US Billboard Charts, went largey ignored. But this is why I love remixes - HQ2, an Australian DJ outfit gave it a once over and the tune appeared on dancefloors. Eric Kupper did the same in the US.

But the question is, why did Enrique Iglesias' handlers ditch the gem of a music video to the track, featuring a naked Enrique cavorting with a stripper who dances around a pole that extends from between his legs? Can't they see this is art? The video for Enrique's cover of Bruce Springsteen's Sad Eyes randomly surfaced on David LaChapelle's website (I told you: art!) and has begun to make the rounds, with responses from somewhere between OMG and WTF.
Mr. Iglesias' phallic fantasy begins with an ode to the loneliness of fame, watching a video of himself performing, then flips channels to a phone sex ad, and he is drawn in sexy trance towards the glowing screen. He then goes cruising for hosin a fancy car and finds the sex ad lady (played by porn star Cassidey, says Tabloid Prodigy ), who is a sad but lighthearted whore who comes to his home and dances the 10-foot steel pole that stands erect between his legs. But wait! Was it all a dream? A possibly-jacking-off Enrique alone in bed with a nudie magazine featuring a trashy picture of sex ad lady. All in all: an indisputable cinematic triumph for the son of Julio Iglesias, rife with pathos and cleavage.

Enrique Miguel Iglesias Preysler, better known as Enrique Iglesias, started his musical career on Mexican label Fonovisa. This helped turn him into one of the most popular artists in Latin America and in the Hispanic or Latino market in the US, and the biggest seller of Spanish language albums for a number of years. Before the turn of the millennium, he made a crossover into the mainstream English language market, signing a deal with Universal Music Group for an unprecedented US$48 million to release his Spanish albums (and Interscope to release the English versions). Last year he parted with Interscope and signed with Universal Republic.

Enrique Iglesias - Sad Eyes (Eric Kupper Remix)
CAN#36, CH#43, US#123



Lyrics:

Every day here you come walking
I hold my tongue, I don't do much talking
You say you're happy and you're doin' fine
Well go ahead, baby, I got plenty of time
Sad eyes never lie
Sad eyes never lie

Well for a while I've been watching you steady
Ain't gonna move 'til you're good and ready
You show up and then you shy away
But I know pretty soon you'll be walkin' this way
Sad eyes never lie
Sad eyes never lie

Baby don't you know I don't care
Don't you know that I've been there
Well if something in the air feels a little unkind
Don't worry darling, it'll slip your mind

I know you think you'd never be mine
Well that's okay, baby, I don't mine
that shy smile's sweet, that's a fact
Go ahead, I don't mind the act
Here you come all dressed up for a date
Well one more step and it'll be too late
Blue blue ribbon in you hair
Like you're so sure I'll be standing there
Sad eyes never lie
Sad eyes never lie
Sad eyes never lie
Sad eyes never lie

Mylene Farmer

There is so much to say about Mylène Jeanne Gautier, a.k.a Mylène Farmer, born in 1961 in Pierrefonds, Quebec, Canada, that it is hard to narrate.

One thing is for sure: after discovering her tofit my musical taste, I would like to thank my friends Gwen, Florence and Laurent for introducing me to more of her work and making possible for me to attend the best live concert I have ever been to.

Mylène has sold more than 25 million records and is among the most successful recording artists of all time in France, so far landing ten #1s, which constitutes a record in the French Charts.
Her parents moved from France in the late 1950s as her father pursued an engineering contract on a dam. The family returned to France when she was eight, settling in the Parisian suburb of Ville d'Avray. At the age of 17 she discovered acting and took a course at a drama school in Paris. Changing her name to Mylène Farmer as a tribute to her idol, 1930s Hollywood actress Frances Farmer, she began to earn a living as a model acting in several TV ads. In 1984, Mylène met Laurent Boutonnat, a young film student, after replying to a newspaper ad for an actress for a small film he was working on. They became friends and forged a creative partnership, writing and producing the music. Boutonnat, whose ambition was to become a film director, was the force behind Mylène’s videos, which, as you will see, often become epic pieces.
Mylène gained fame with songs featuring shocking yet poetic lyrics, and explicit music videos: 'Maman a tort' was about the love of a young girl for her female hospital nurse. 'Pourvu qu'elles soient douces' contains hints of sodomy: the video, set in the 18th century, featured a caning. 'Libertine' is said to feature the first full frontal nudity appearance by a singer on a major music video. 'Que mon cœur lâche' was about love with condoms in the age of AIDS: the video for the song features a scene in which God tells Jesus he will not send him to Earth again because the last time 'it was a disaster'.
By the turn of the decade Farmer was a full-blown superstar in France, but it wasn't until the release of her third album, L'Autre..., and single 'Désenchantée' that she became iconic. The album's lead single, became a phenomenon in French pop music, striking a universal chord with its political lyrics. The song debuted at #12 in France and hit #1 two weeks later, remaining 9 weeks atop of the charts. Following the phenomenal success of 'Désenchantée', Mylène released three more singles from the album: 'Regrets', 'Je t'aime mélancolie' and 'Beyond My Control', the latter having a blood-and-sex-charged video that was banned from airplay. The success of the singles helped its album sell close to 2 million copies in France alone, having achieved Diamond status in 1992. It spent a then-record 20 weeks at #1 of the French charts, as well as topping the chart in Belgium and making top 10 in Canada. It has become Farmer's best selling studio album. On 14 November 1991 a man, who had been stalking her, entered the Polydor Records HQ in Paris and held employees at gunpoint demanding to talk to her. The man had previously written the singer some fan mail, which she did not respond to. He killed a receptionist and committed suicide. Following this occurrence Mylène shunned media attention and left France to live in Los Angeles for a few weeks.
During her time in California, Mylène started to write her fourth album, Anamorphosée, before inviting Laurent Boutonnat over there to reconcile after the bitter incidents of 1994 and to start making music together again. In summer 1996 she embarked on her second, hugely successful, concert tour, which I was lucky enough to see at Paris Bercy, the French equivalent to Wembley. The corresponding live album, is currently the best-selling French live album ever. Mylène Farmer's Discography

Mylène Farmer - Comme J'ai Mal (1996)



Mylène Farmer - Pourvu qu'elles soient douces (1988)



Mylène Farmer - Rêver (1996)
Live at Bercy, a concert I was very fortunate to experience



Mylène Farmer - Que mon cœur lâche (1992)



Mylène Farmer - Je T'aime Mélancolie (1991)



Mylène Farmer - Sans contrefaçon (1987)



Mylène Farmer - Désenchantée (1991)



Mylène Farmer - L'Âme-stram-gram (1999)



Mylène Farmer & Moby - Slipping Away / Crier La Vie (2006)



Mylène Farmer - California (1996)

Madonna - Don't Tell Me - Thunderpuss Remix (1999)

Madonna - Don't Tell Me (Thunderpuss Club Remix). Vidéo . sélectionnée dans Musique

Mylène Farmer

There is so much to say about Mylène Jeanne Gautier, a.k.a Mylène Farmer, born in 1961 in Pierrefonds, Quebec, Canada, that it is hard to narrate.

One thing is for sure: after discovering her to fit my musical taste, I would like to thank my friends Gwen, Florence and Laurent for introducing me to more of her work and making possible for me to attend the best live concert I have ever been to.

Mylène has sold more than 25 million records and is among the most successful recording artists of all time in France, so far landing ten #1s, which constitutes a record in the French Charts.
Her parents moved from France in the late 1950s as her father pursued an engineering contract on a dam. The family returned to France when she was eight, settling in the Parisian suburb of Ville d'Avray. At the age of 17 she discovered acting and took a course at a drama school in Paris. Changing her name to Mylène Farmer as a tribute to her idol, 1930s Hollywood actress Frances Farmer, she began to earn a living as a model acting in several TV ads. In 1984, Mylène met Laurent Boutonnat, a young film student, after replying to a newspaper ad for an actress for a small film he was working on. They became friends and forged a creative partnership, writing and producing the music. Boutonnat, whose ambition was to become a film director, was the force behind Mylène’s videos, which, as you will see, often become epic pieces.
Mylène gained fame with songs featuring shocking yet poetic lyrics, and explicit music videos: 'Maman a tort' was about the love of a young girl for her female hospital nurse. 'Pourvu qu'elles soient douces' contains hints of sodomy: the video, set in the 18th century, featured a caning. 'Libertine' is said to feature the first full frontal nudity appearance by a singer on a major music video. 'Que mon cœur lâche' was about love with condoms in the age of AIDS: the video for the song features a scene in which God tells Jesus he will not send him to Earth again because the last time 'it was a disaster'.
By the turn of the decade Farmer was a full-blown superstar in France, but it wasn't until the release of her third album, L'Autre..., and single 'Désenchantée' that she became iconic. The album's lead single, became a phenomenon in French pop music, striking a universal chord with its political lyrics. The song debuted at #12 in France and hit #1 two weeks later, remaining 9 weeks atop of the charts. Following the phenomenal success of 'Désenchantée', Mylène released three more singles from the album: 'Regrets', 'Je t'aime mélancolie' and 'Beyond My Control', the latter having a blood-and-sex-charged video that was banned from airplay. The success of the singles helped its album sell close to 2 million copies in France alone, having achieved Diamond status in 1992. It spent a then-record 20 weeks at #1 of the French charts, as well as topping the chart in Belgium and making top 10 in Canada. It has become Farmer's best selling studio album. On 14 November 1991 a man, who had been stalking her, entered the Polydor Records HQ in Paris and held employees at gunpoint demanding to talk to her. The man had previously written the singer some fan mail, which she did not respond to. He killed a receptionist and committed suicide. Following this occurrence Mylène shunned media attention and left France to live in Los Angeles for a few weeks.
During her time in California, Mylène started to write her fourth album, Anamorphosée, before inviting Laurent Boutonnat over there to reconcile after the bitter incidents of 1994 and to start making music together again. In summer 1996 she embarked on her second, hugely successful, concert tour, which I was lucky enough to see at Paris Bercy, the French equivalent to Wembley. The corresponding live album, is currently the best-selling French live album ever. Mylène Farmer's Discography

Mylène Farmer - Comme J'ai Mal (1996)



Mylène Farmer - Pourvu qu'elles soient douces (1988)



Mylène Farmer - Rêver (1996)
Live at Bercy, a concert I was very fortunate to experience



Mylène Farmer - Que mon cœur lâche (1992)



Mylène Farmer - Je T'aime Mélancolie (1991)



Mylène Farmer - Sans contrefaçon (1987)



Mylène Farmer - Désenchantée (1991)



Mylène Farmer - L'Âme-stram-gram (1999)



Mylène Farmer & Moby - Slipping Away / Crier La Vie (2006)



Mylène Farmer - California (1996)



Mylène Farmer - Je Te Rends Ton Amour (1999)
FR#10, BE#18


Mylène Farmer - Je te rends ton amour by leebil

Mylene Farmer - Je Te Rends Ton Amour (1999)

Mylène Farmer - Je Te Rends Ton Amour (1999)
FR#10, BE#18


Mylène Farmer - Je te rends ton amour by leebil
Lyrics - incl. English translation:

M'extraire du cadre
Ma vie suspendue
Je rêvais mieux
Je voyais l'âtre
Tous ces inconnus
Toi parmi eux

Extracting myself from the frame
My life, suspended
I dreamt of better.
I saw the hearth
All those unknowns,
You among them

Toile,
Fibre qui suinte
Des meurtrissures
Tu voyais l'âme
Mais j'ai vu ta main
Choisir Gauguin
Canvas,
Fibre that oozes
Bruises
You saw the soul,
But I saw your hand
Choosing Gaugin

Et je te rends ton amour
Redeviens les contours
Je te rends ton amour
C'est mon dernier recours
Je te rends ton amour
Au moins pour toujours
Redeviens les contours
" la femme nue debout "

And I return your love,
Become once more the contours,
I return your love
It's my last resort
I return your love
At least, forever
Become once more the contours
"The naked woman standing"

M'extraire du cadre
La vie étriquée
D'une écorchée
J'ai cru la fable
D'un mortel aimé
Tu m'as trompé

Extracting myself from the frame,
The skewed life
Of a butchered woman
I believed the fable,
Of a beloved mortal
[But] you betrayed me

Toi
Tu m'as laissé
Me compromettre
Je serai " l'Unique "
Pour des milliers d'yeux
Un nu de maître

You,
You allowed me
To compromise myself.
I will be the "unique"
For thousands of eyes
A master's nude

Et je te rends ton amour
Au moins pour toujours
Je te rends ton amour
Le miens est trop lourd
Et je te rends ton amour
C'est plus flagrant le jour
Ses couleurs se sont diluées
Et je reprends mon amour
Redeviens le contour
De mon seul maître : EGON SHIELE et...

And I return your love,
At least forever
I return your love
Mine is too heavy
And I return your love
It is more obvious in the day,
[that] it's colors are diluted
And I return your love,
Become once more the frame
Of my only master: egon shiele and ....

And I return your love,
At least forever
I return your love
Mine is too heavy
And I return your love
It is more obvious in the day,
[that] it's colors are diluted
And I return your love,
Become once more the frame
Of my only master: egon shiele and ....

Jennifer Lopez - Waiting For Tonight (1999)

Jennifer Lopez - Waiting For Tonight (1999)
ES#2, AUS#4, BE#4, NL#5, NZ#5, UK#5, FIN#8, US#8, CAN#9, FR#10, NOR#11, IRL#13, CH#14, DE#15, SWE#16, AT#24



Lyrics:

Like a movie scene
In the sweetest dreams
I have pictured us together
Now to feel your lips
On my fingertips
I have to say is even better
Then I ever thought it could possibly be
It's perfect, it's passion, it's setting me free
From all of my sadness
The tears that I've cried
I have spent all of my life

Waiting for tonight, oh
When you would be here in my arms
Waiting for tonight, oh
I've dreamed of this love for so long
Waiting for tonight

Tender words you say
Take my breath away
Love me now, leave me never
Found a sacred place
Lost in your embrace
I want to stay in this forever
I think of the days when the sun used to set
On my empty heart, all alone in my bed
Tossing and turning
Emotions were strong
I knew I had to hold on

Waiting for tonight, oh
When you would be here in my arms
Waiting for tonight, oh
I've dreamed of this love for so long
Waiting for tonight

Waiting for tonight, oh
When you would be here in my arms
Waiting for tonight, ohv I've dreamed of this love for so long
Waiting for tonight

Gone are the days when the sun used to set
On my empty heart all alone in my bed
Tossing and turning
Emotions were strong
I knew I had to hold on

Waiting for tonight, oh
When you would be here in my arms
Waiting for tonight, oh
I've dreamed of this love for so long
Waiting for tonight

Blink-182

Blink-182 - What's My Age Again? (1999)
IT#4, UK#17, IRL#43, CAN#42, UK#42, AUS#42, NZ#43, SWE#44, CH#52, US#58, DE#80, NL#90, FR#93



Blink-182 - All The Small Things (1999)
UK#2, AT#4, US#6, IT#6, IRL#7, SWE#7, AUS#8, NZ#10, DE#11, NOR#12, CH#14, BE#17, CAN#18, NL#21



Blink-182 - Up All Night (2011)
AUS#30, US#48, CAN#58, US#65

Jennifer Lopez - Una Noche Mas/Waiting For Tonight (1999)

To clear up the confusion once and for all: Jennifer (Lynn) Lopez, also known by her nickname J Lo was born in the Bronx, New York - not in Puerto Rico. She was raised on Blackrock Ave. in the Castle Hill neighborhood by - and this is where Puerto Rico comes in - parents originating from the Carribean island...

Jennifer's big break came in 1997, when she became the highest paid Latina film star ever, bringing in a reported US$1 million for 'Selena'. From there on followed 'Out of Sight', 'The Cell', 'The Wedding Planner' & 'Angel Eyes', all having become box office hits.

But you know, this is a Music Blog, so before I ramble on about something I do not know, I better change topics...

In 1999, J Lo's career took a completely new path: Her album 'On the 6' debuted her music career and quickly went on to gain multi-platinum status, selling over 8 million copies worldwide!
Album Charts: DE#3, CH#3, CAN#5, NL#6, BE#6, AT#7, US#8, AUS#11, UK#14, HUN#14, NOR#14, FR#15, FIN#15, NZ#18, JAP#20, SWE#20

The interesting thing about the next is to see how many copies you have to sell to achieve certifications in the most important music markets. Notice the difference within the North American market and also the difference between the countries in Europe? There is no right or wrong because by population the sales goals will have to change. But be wary of comparible sales figures:
Album Certifications: Platinum: CAN: 5× (500k) copies sold, US: 3× (3MM), NZ: 2× (30k), Europe: 1x (1MM), UK: 1x (300k), NL: 1x (60k), POL: 1x (60k), ARG: 1x (40k), Gold: FR: 2× (210k), DE: 1x (250k), AUS: 1x (35k), CH: 1x (15k), FIN: 1x (15k), AT: 1x (10k)

Waiting for Tonight, my favourite track from that album, is a song originally recorded by American female pop trio 3rd Party for their 1997 album Alive. Jennifer's version of it bacame the most famous version of it so far. Released in 1999, the single became somewhat of a millennium hit, mostly owned to it's accompanying video, which featured the infamous scare of a Millenium Power Cut and worldwide computer breakdown, if you remember it... The track earned her a nomination for Best Dance Recording at the 2000 Grammy Awards. The Spanish version of the song, 'Una Noche Más' (One More Night), is also included on the album.
In 2006, Italian house trio Lil' Love released their version of the song. There is also a version of the song in the popular dance video game Dance Dance Revolution.
A brilliant remix from the original 1999 release is the Hex Hector version. All of them here :-)

Waiting For Tonight/Una Noche Mas: MEX#1, BE#4, AUS#4, UK#5, NL#5, NZ#5, US#8, FIN#8, CAN#9, FR#10, NOR#11, IRL#13, CH#14, DE#15, SWE#16, AT#24

Jennifer Lopez - Una Noche Mas



Jennifer Lopez - Waiting For Tonight



Jennifer Lopez - Waiting For Tonight (Hex Hector Remix)



Lyrics of the Spanish Version

Como te soñé , yo te imagine
Seduciéndome despacio
Tuya me sentí , todo te lo di
Y hasta el alma me has robado
Yo nunca pensé que pudiera querer
Con esta pasión que me quema la piel
Volar por tu cuerpo es el cielo tocar
Quiero contigo llegar

Una noche más , Oh Oh
Quisiera inventar nuestro amor
Una noche más , Oh Oh Oh
Sentir junto a ti la pasión
Una noche más , Oh Oh Oh

Necesito más de lo que me das
Todo ya no es suficiente
Me deje llevar por un beso más
Yo estoy presa para siempre
Mi vida no tuvo sentido sin ti
Vivir de ilusiones fue igual que morir
En otras caricias no pude encontrar
Todo el amor que me das

Mi vida no tuvo sentido sin ti
Vivir de ilusiones fue igual que morir
En otras caricias no pude encontrar
Todo el amor que me das

Lyrics of the English Version:

Like a movie scene
In the sweetest dreams
I have pictured us together
Now to feel your lips
On my fingertips
I have to say is even better
Then I ever thought it could possibly be
It's perfect, it's passion, it's setting me free
From all of my sadness
The tears that I've cried
I have spent all of my life

Waiting for tonight, oh
When you would be here in my arms
Waiting for tonight, oh
I've dreamed of this love for so long
Waiting for tonight

Tender words you say
Take my breath away
Love me now, leave me never
Found a sacred place
Lost in your embrace
I want to stay in this forever
I think of the days when the sun used to set
On my empty heart, all alone in my bed
Tossing and turning
Emotions were strong
I knew I had to hold on

Waiting for tonight, oh
When you would be here in my arms
Waiting for tonight, oh
I've dreamed of this love for so long
Waiting for tonight

Gone are the days when the sun used to set
On my empty heart all alone in my bed
Tossing and turning
Emotions were strong
I knew I had to hold on

Waiting for tonight, oh
When you would be here in my arms
Waiting for tonight, oh
I've dreamed of this love for so long
Waiting for tonight