Robin Thicke & T.I.& Pharrell - Blurred Lines (2013)
Robin Thicke feat. T.I.& Pharrell Williams - Blurred Lines (2013)
US#1, AT#1, AUS#1, BE#1, CAN#1, CH#1, DE#1, EuroHot100#1, FR#1, IRL#1, ISR#1, LUX#1, NL#1, NZ#1, POL#1, POR#1, UK#1, DK#2, ES#2, ICE#2, IT#2, MEX#2, NOR#2, SWE#7, CZK#10, HUN#10, FIN#11, COL#18, SVK#20, JAP#32
Lyrics:
[Intro: Pharrell]
Everybody get up
Everybody get up
Hey, hey, hey
Hey, hey, hey
Hey, hey, hey
[Verse 1: Robin Thicke]
If you can't hear what I'm trying to say
If you can't read from the same page
Maybe I'm going deaf,
Maybe I'm going blind
Maybe I'm out of my mind
[Pharell:] Everybody get up
[Pre-chorus: Robin Thicke]
OK now he was close, tried to domesticate you
But you're an animal, baby, it's in your nature
Just let me liberate you
Hey, hey, hey
You don't need no papers
Hey, hey, hey
That man is not your maker
[Chorus: Robin Thicke]
And that's why I'm gon' take a good girl
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
I hate these blurred lines
I know you want it
I know you want it
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
[Pharell:] Everybody get up
[Verse 2: Robin Thicke]
What do they make dreams for
When you got them jeans on
What do we need steam for
You the hottest bitch in this place
I feel so lucky
Hey, hey, hey
You wanna hug me
Hey, hey, hey
What rhymes with hug me?
Hey, hey, hey
[Pre-chorus: Robin Thicke]
OK now he was close, tried to domesticate you
But you're an animal, baby it's in your nature
Just let me liberate you
Hey, hey, hey
You don't need no papers
Hey, hey, hey
That man is not your maker
Hey, hey, hey
[Chorus: Robin Thicke]
And that's why I'm gon' take a good girl
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
[Pharell:] Everybody get up
I hate these blurred lines
I know you want it
I hate them lines
I know you want it
I hate them lines
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
[Verse 3: T.I.]
One thing I ask of you
Let me be the one you back that ass to
Go, from Malibu, to Paris, boo
Yeah, I had a bitch, but she ain't bad as you
So hit me up when you passing through
I'll give you something big enough to tear your ass in two
Swag on, even when you dress casual
I mean it's almost unbearable
Then, honey you're not there when I'm
With my foresight bitch you pay me by
Nothing like your last guy, he too square for you
He don't smack that ass and pull your hair like that
So I just watch and wait for you to salute
But you didn't pick
Not many women can refuse this pimpin'
I'm a nice guy, but don't get it if you get with me
[Bridge: Robin Thicke]
Shake the vibe, get down, get up
Do it like it hurt, like it hurt
What you don't like work?
[Pre-chorus: Robin Thicke]
Baby can you breathe? I got this from Jamaica
It always works for me, Dakota to Decatur, uh huh
No more pretending
Hey, hey, hey
Cause now you winning
Hey, hey, hey
Here's our beginning
[Chorus: Robin Thicke]
I always wanted a good girl
(Pharell: Everybody get up)
I know you want it
I know you want it
I know you want it
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted
I hate these blurred lines
(Pharell: Everybody get up)
I know you want it
I know you want it
I know you want it
But you're a good girl
The way you grab me
Must wanna get nasty
Go ahead, get at me
[Outro: Pharrell]
Everybody get up
Everybody get up
Hey, hey, hey
Hey, hey, hey
Hey, hey, hey
Daft Punk & Pharrell Williams - Get Lucky (2013)
Daft Punk feat. Pharrell Williams - Get Lucky (2013)
FR#1, AT#1, AUS#1, BE#1, CH#1, DE#1, DK#1, ES#1, EuroHot100#1, GRE#1, HUN#1, ICE#1, IRL#1, ISR#1, IT#1, LEB#1, LUX#1, POL#1, POR#1, RUS#1, UK#1, VEN#1, CAN#2, FIN#2, NL#2, NZ#2, NOR#2, SWE#2, US#2, SVK#3, SKOR#3, JAP#6, MEX#7, CZK#8, COL#13
Lyrics:
Like the legend of the Phoenix
All ends with beginnings
What keeps the planets spinning
The force from the beginning
We've come too far
To give up who we are
So let's raise the bar
And our cups to the stars
She's up all night to the sun
I'm up all night to get some
She's up all night for good fun
I'm up all night to get lucky
We're up all night to the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
The present has no ribbon
Your gift keeps on giving
What is this I'm feeling
If you want to leave I'm with it
We've come too far
To give up who we are
So let's raise the bar
And our cups to the stars
She's up all night to the sun
I'm up all night to get some
She's up all night for good fun
I'm up all night to get lucky
We're up all night to the sun
We're up all night to get some
We're up all night for good fun
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
We're up all night to get lucky
Luomo - Tessio (2003)
Sasu Ripatti, born 1976 in Oulu, Finland, has many aliases: Vladislav Delay, Sistol, Conoco and - Luomo.
Sasu's characteristic traits within his music are deep, bubbling synth-bass lines, fractured percussion - often placed freely within the music, long delay repetitions of various sounds, syncopated use of vocal samples, and complicated digital effect processing techniques. An outstanding example is his 2003 release 'Tessio'.
The music of Luomo stretches taut lines between shadowy experimentalism and shining club aspirations of the dancefloor. Full of dark chasms and dangerous sharp edges, the restless experimentation and bitter-tenderness in Luomo’s songs have shattered and reformed expectations of Pop. Tracks like 'Tessio' became the foundation of what was soon known as Microhouse.
But the tropes and vocals made it clear that Sasu is drawing on a wider range of influences: not only Glitch, but also Dub, Trip-Hop, Chicago House, Soul and Disco. Luomo presents each element — icy reverb, stuttering rhythms and brittle synth stabs with crossover Pop appeal that was picked up by major labels.
What makes Luomo different from his other release synonyms, aside from a more overt Pop orientation, is the extensive, sensitive use of vocal samples from a variety of collaborators: all Luomo albums owe much to processed feminine voices, particularly that of Finnish jazz singer Johanna Iivanainen, a vocalist renowned for her timbral and poetic singing. Pensive and polished, rich and sensual, 'The Present Lover', which is the album containing 'Tessio', uses the voice of Johanna Iivanainen, along with that of Antye Greie (AGF), his East German girlfriend.
His creative arrangements have also come to fruition in his fourth Luomo album, 'Convivial' in 2008. It sees Luomo at his most upfront and extrovert, embracing more overt Pop motives than ever, and features vocal collaborations with not only Iivanainen, but a spectrum of artists, ranging from Jake Shears of Scissor Sisters, which offers a touch of glam, to Chicago House producer Robert Owens. A new Luomo album is due to be released! :-)
Luomo - Tessio (2003)
Lyrics:
I guess you turn me on,
When you're gone,
For me it didn't go wrong,
we just made another song.
Off getting it alone,
Never asking if for long,
It's just that the world ain't enough,
And it never was for the two of us.
Baby, it's ok.
I guess you made me warm,
When you do the hum,
Making everybody come,
Getting creative with your charm.
I tried to be all yours,
Over line ain't answering your calls,
Don't say it's false,
I'm only following my thoughts.
Baby it's ok,
We'll make it better,
Baby, I, I'll survive,
Without these women in my life.
Sasu's characteristic traits within his music are deep, bubbling synth-bass lines, fractured percussion - often placed freely within the music, long delay repetitions of various sounds, syncopated use of vocal samples, and complicated digital effect processing techniques. An outstanding example is his 2003 release 'Tessio'.
The music of Luomo stretches taut lines between shadowy experimentalism and shining club aspirations of the dancefloor. Full of dark chasms and dangerous sharp edges, the restless experimentation and bitter-tenderness in Luomo’s songs have shattered and reformed expectations of Pop. Tracks like 'Tessio' became the foundation of what was soon known as Microhouse.
But the tropes and vocals made it clear that Sasu is drawing on a wider range of influences: not only Glitch, but also Dub, Trip-Hop, Chicago House, Soul and Disco. Luomo presents each element — icy reverb, stuttering rhythms and brittle synth stabs with crossover Pop appeal that was picked up by major labels.
What makes Luomo different from his other release synonyms, aside from a more overt Pop orientation, is the extensive, sensitive use of vocal samples from a variety of collaborators: all Luomo albums owe much to processed feminine voices, particularly that of Finnish jazz singer Johanna Iivanainen, a vocalist renowned for her timbral and poetic singing. Pensive and polished, rich and sensual, 'The Present Lover', which is the album containing 'Tessio', uses the voice of Johanna Iivanainen, along with that of Antye Greie (AGF), his East German girlfriend.
His creative arrangements have also come to fruition in his fourth Luomo album, 'Convivial' in 2008. It sees Luomo at his most upfront and extrovert, embracing more overt Pop motives than ever, and features vocal collaborations with not only Iivanainen, but a spectrum of artists, ranging from Jake Shears of Scissor Sisters, which offers a touch of glam, to Chicago House producer Robert Owens. A new Luomo album is due to be released! :-)
Luomo - Tessio (2003)
Lyrics:
I guess you turn me on,
When you're gone,
For me it didn't go wrong,
we just made another song.
Off getting it alone,
Never asking if for long,
It's just that the world ain't enough,
And it never was for the two of us.
Baby, it's ok.
I guess you made me warm,
When you do the hum,
Making everybody come,
Getting creative with your charm.
I tried to be all yours,
Over line ain't answering your calls,
Don't say it's false,
I'm only following my thoughts.
Baby it's ok,
We'll make it better,
Baby, I, I'll survive,
Without these women in my life.
Depeche Mode - Strangelove (1987)
Depeche Mode - Strangelove (1987)
DE#2, CH#3, SWE#5, IRL#6, UK#16, IT#24, FR#25, AT#29, US#76
Depeche Mode - Strange Love (VH1 Week End Top 20) by Dmode59
Lyrics:
There'll be times
When my crimes
Will seem almost unforgivable
I give in to sin
Because you have to make this life liveable
But when you think I've had enough
From your sea of love
I'll take more than another riverfull
Yes, and I'll make it all worthwhile
I'll make your heart smile
Strangelove
Strange highs and strange lows
Strangelove
That's how my love goes
Strangelove
Will you give it to me
Will you take the pain
I will give to you
Again and again
And will you return it
There'll be days
When I'll stray
I may appear to be
Constantly out of reach
I give in to sin
Because I like to practice what I preach
I'm not trying to say
I'll have it all my way
I'm always willing to learn
When you've got something to teach
And I'll make it all worthwhile
I'll make your heart smile
Pain will you return it
I'll say it again -- pain
Pain will you return it
I'll say it again -- pain
Pain will you return it
I'll say it again -- pain
Pain will you return it
I won't say it again
Strangelove
Strange highs and strange lows
Strangelove
That's how my love goes
Strangelove
Will you give it to me
Strangelove
Strange highs and strange lows
Strangelove
That's how my love goes
Strangelove
Will you give it to me
Strangelove
Strange highs and strange lows
Strangelove
That's how my love goes
Strangelove
Will you give it to me
I give in
Again and again
I give in
Will you give it to me
I give in
I'll say it again
I give in
I give in
Again and again
I give in
That's how my love goes
I give in
I'll say it again
I give in
Nick Kamen - Each Time & I Promised Myself
Left: Nick Kamen in 1986 - Right: Nick Kamen now (and still as sexy)
Nick Kamen - Each Time (1986)
CH#2, IT#2, IRL#3, UK#5, US#5, NL#5, SWE#6, DE#8, FR#8, AT#25
Nick Kamen - Each Time You Break My Hear
Uploaded by funkyvincent. - Music videos, artist interviews, concerts and more.
Nick Kamen - I Promised Myself (1990)
AT#1, SWE#1, CH#3, DE#5, NL#6, FR#11, UK#50
...meanwhile at the RVT
Nick Kamen - Each Time (1986)
CH#2, IT#2, IRL#3, UK#5, US#5, NL#5, SWE#6, DE#8, FR#8, AT#25
Nick Kamen - Each Time You Break My Hear
Uploaded by funkyvincent. - Music videos, artist interviews, concerts and more.
Nick Kamen - I Promised Myself (1990)
AT#1, SWE#1, CH#3, DE#5, NL#6, FR#11, UK#50
...meanwhile at the RVT
Will Young - Jealousy - Moto Blanco Remix (2011)
Will Young - Jealousy - Moto Blanco Remix (2011)
UK#5, IRL#23
Will Young - Jealousy (Moto Blanco Radio Edit / Tonic Remix VDO) from djtonicmusic on Vimeo.
Lyrics:
I take it all back
All that I said
It comes out to fast
So I
Just couldn’t help
The way that I felt
I started the fire.
Watching you walk
I followed you there
Standing too close
It’s hurting.
I pictured the words
The warmth of your breath.
I started the fire
It’s burning.
And it feels like jealousy
And it feels like I can’t breathe
www.musicloversgroup.com
And I’m on, down on my knees
And it feels like jealousy.
Seeing a light
A face in the crowd
My lonely heart is racing.
And my whole world
Is under attack.
What kinda love am I facing?
Is it me that you want
Cos its me you can have
Can you give me an answer?
I’m tired of waiting.
I’m tired of thinking.
And it feels like jealousy
And it feels like I can’t breathe
And I’m on, down on my knees
And it feels like jealousy.
I’m tired of waiting.
I’m tired of thinking.
And it feels like jealousy (hey)
And it feels like I can’t breathe (I can’t breathe)
And I’m on, down on my knees (ohh)
And it feels like jealousy.
Ce Ce Peniston - Finally (1991)
Cecilia Veronica - a.k.a. 'Ce Ce' - Peniston was born 6.9.69 in Dayton, Ohio, but raised much of her childhood in Phoenix, Arizona. As so so so many of her black counterparts and peers, she started to begin to sing in her local church choir. While at college, she used to participate in school plays, karaoke contests - and, what is little known, beauty pageants. She eventually claimed the title of Ms. Black Arizona in 1989 and Ms. Galaxy in 1990.
Enjoying poems, she claims that she wrote the lyrics to her breakthrough and most successful track 'Finally' in college at a Chemistry class.
Her music career began in January of 1991, when Felipe 'DJ Wax Dawg' Delgado, her friend and a record producer based also in Phoenix, asked Ce Ce to record back-up vocals for Tonya Davis, a black rapper known as Overweight Pooch. But the Overweight Pooch’s album flopped and Felipe faced contractual disputes with A&M, the record company. Manny Lehman, a former DJ and back then A&M Art Director, had noticed the powerful voice of Ce Ce as back-up vocalist and offered Felipe a second chance, commissioning him to produce a track for Ce Ce herself as a solo artist. Felipe called on a friend, Rodney Jackson - the two met through mutual friends in Arizona - who co-produced the Ce Ce’s 'Finally'. The song burst on to the US club scene in October 1991 becoming an instant dance anthem, while achieving a respectful starting position abroad. Within three months, the single would reach sales of over 3 million worldwide. The track has become one of the classics from the early 1990s. It has also become a somewhat gay anthem. No surprise then that it the track was featured in one of the most iconic gay movies there is: Priscilla, Queen of the Desert.
Ce Ce Peniston - Finally (1991)
CAN#1, UK#2, JPN#2, IRL#5, US#5, NL#5, AUS#7, NZ#8, AT#9, CH#12, DE#16, BE#16, FR#39
Ce Ce Peniston - Finally by Hakunamatata67
Enjoying poems, she claims that she wrote the lyrics to her breakthrough and most successful track 'Finally' in college at a Chemistry class.
Her music career began in January of 1991, when Felipe 'DJ Wax Dawg' Delgado, her friend and a record producer based also in Phoenix, asked Ce Ce to record back-up vocals for Tonya Davis, a black rapper known as Overweight Pooch. But the Overweight Pooch’s album flopped and Felipe faced contractual disputes with A&M, the record company. Manny Lehman, a former DJ and back then A&M Art Director, had noticed the powerful voice of Ce Ce as back-up vocalist and offered Felipe a second chance, commissioning him to produce a track for Ce Ce herself as a solo artist. Felipe called on a friend, Rodney Jackson - the two met through mutual friends in Arizona - who co-produced the Ce Ce’s 'Finally'. The song burst on to the US club scene in October 1991 becoming an instant dance anthem, while achieving a respectful starting position abroad. Within three months, the single would reach sales of over 3 million worldwide. The track has become one of the classics from the early 1990s. It has also become a somewhat gay anthem. No surprise then that it the track was featured in one of the most iconic gay movies there is: Priscilla, Queen of the Desert.
Ce Ce Peniston - Finally (1991)
CAN#1, UK#2, JPN#2, IRL#5, US#5, NL#5, AUS#7, NZ#8, AT#9, CH#12, DE#16, BE#16, FR#39
Ce Ce Peniston - Finally by Hakunamatata67
Florence+The Machine - Spectrum/Say My Name (2012)
Florence and The Machine - Spectrum/Say My Name (2012)
(as of 01 Sep 2012): UK#1, IRL#1, POL#1, NZ#2, BE#2, AUS#4, ISR#4, US#4, DK#35, HUN#39, DE#54, SWE#55, NL#87
Lyrics:
When we first came here
We were cold and we were clear
With no colors on our skin
We were light and paper-thin
And when we first came here
We were cold and we were clear
With no colors on our skin
Til you let the spectrum in
Say my name,
And every color illuminates,
We are shining,
And we’ll never be afraid again.
Say my name!
As every color illuminates!
We are shining!
And we’ll never be afraid again!
Say my name!
As every color illuminates!
We are shining!
And we’ll never be afraid again!
And when we come for you,
We’ll be dressed up all in blue,
With the ocean in our arms,
Kissing eyes and kissing palms.
And when it’s time to pray,
We’ll be dressed up all in grey,
With metal on our tongues,
And silver in our lungs.
Say my name,
And every color illuminates,
We are shining,
And we’ll never be afraid again.
Say my name!
As every color illuminates!
We are shining!
And we’ll never be afraid again!
Say my name!
As every colour illuminates!
We are shining!
And we’ll never be afraid again!
And when we come back we’ll be dressed in black!
And you’ll scream our names aloud!
And we won’t eat and we won’t sleep!
We’ll drag bodies from their graves!
So say my name,
And every color illuminates,
And we are shining,
And we’ll never be afraid again,
Say my name,
As every color illuminates.
Say my name!
As every color illuminates!
We are shining!
And we’ll never be afraid again!
Say my name!
As every color illuminates!
We are shining!
And we’ll never be afraid again!
Say my name!
We are shining!
Say my name!
Say my name!
And we’ll never be afraid again!
Olly Murs - Right Place Right Time (2013) - Max Sanna & Steve Pitron Mix
Though a sucker for watching Casting Shows such as X Factor, I am never really one to follow remnants thereof - and Olly Murs is no exception. However - a spot on remix makes all the difference. Splendid example is the Max Sanna & Steve Pitron mix of Right Place Right Time. Get the place rocking!
Olly Murs - Right Place Right Time - Sanna & Pitron Mix (2013)
UK#161
Lyrics:
We got our eyes wide open, feeling like we are almost there.
Words unspoken disappearing in the air
All I see is you and I
You're the only lifeline that I need tonight
I'm letting go.
So this is what it feels like
Being at the right place the right time
I'm hanging on for dear life
Hoping we can make this a long night
This is why we came yeah
I can feel it in my veins
So this is what it feels like
Right place the right time
Loud explosions only you and I can hear
Doors fly open, you're the cure for all my fears
All I see is you and I
You're the only lifeline that I need tonight
I'm letting go.
So this is what it feels like
Being at the right place the right time
I'm hanging on for dear life
Hoping we can make this a long night
This is why we came yeah
I can feel it in my veins
So this is what it feels like
Right place the right time with you
Right place the right time with you
Right place the right time
Right here and now feels like forever
Never touch the ground when we're together
Right here and now feels like forever, forever, forever, forever, forever
So this is what it feels like
Being at the right place the right time
I'm hanging on for dear life
Hoping we can make this a long night.
(Oh)
Right place the right time
(Oh)
Right place the right time
(Oh)
Right here and now feels like forever (right place, the right time)
Never touch the ground when we are together
Right here and now feels like forever
Right place the right time.
Olly Murs - Right Place Right Time - Sanna & Pitron Mix (2013)
UK#161
Lyrics:
We got our eyes wide open, feeling like we are almost there.
Words unspoken disappearing in the air
All I see is you and I
You're the only lifeline that I need tonight
I'm letting go.
So this is what it feels like
Being at the right place the right time
I'm hanging on for dear life
Hoping we can make this a long night
This is why we came yeah
I can feel it in my veins
So this is what it feels like
Right place the right time
Loud explosions only you and I can hear
Doors fly open, you're the cure for all my fears
All I see is you and I
You're the only lifeline that I need tonight
I'm letting go.
So this is what it feels like
Being at the right place the right time
I'm hanging on for dear life
Hoping we can make this a long night
This is why we came yeah
I can feel it in my veins
So this is what it feels like
Right place the right time with you
Right place the right time with you
Right place the right time
Right here and now feels like forever
Never touch the ground when we're together
Right here and now feels like forever, forever, forever, forever, forever
So this is what it feels like
Being at the right place the right time
I'm hanging on for dear life
Hoping we can make this a long night.
(Oh)
Right place the right time
(Oh)
Right place the right time
(Oh)
Right here and now feels like forever (right place, the right time)
Never touch the ground when we are together
Right here and now feels like forever
Right place the right time.
Subscribe to:
Posts (Atom)